ABOUT
The extreme density of a city like Hong Kong sets in motion a perpetual dance between the individual and the collective. Its verticality seems to promise escape, yet the desire for intimacy collides with walls drawn too close, with the invisible presence of others, with the omnipresent echoes of a city that never falls silent. Here, desire adapts, slips through, searches for fractures in the rigid architecture.
In this urban polyphony, in a headlong rhythm, intimacy becomes a dissonant note, a necessary breath stolen from the turmoil. It no longer blossoms in private space, but in the art of stealth, in those interstices where silence suspends time, where sighs vanish into stillness. It becomes an improvisation, a fragile balance between solitude and closeness, between constraint and freedom.
Physical boundaries dissolve, giving way to perception, to rhythm, to subtlety. In this ever-changing landscape, every silence is an act of resistance. Hong Kong suggests that intimacy, like music, dwells in the tension between opposing forces, in the space held open for dreaming.
